Doubt Not That We Shall Found The City

Hilary Norman

“Doubt Not That We Shall Found The City” came to Hilary Norman as a clairaudient experience. She writes:

“The reception of these words was preceded by what may best be described as a spiritual experience. Not only spiritual, but earthed by visible remains. Alone in a Scottish glade, two summers ago, I became aware of an uncomfortable, and unaccountable, sense of suffocation. Accustomed to the often difficult results of having an empathic nature, I searched for a cause and found mounds, covered with moss and trefoil. I began to peel back this layer and only stopped when I felt myself again. A number of stones had lain beneath. Two were especially beautiful. One a fallen standing stone, its surface rippled with grey, cream and pale terra-cotta. Nearby a large crystal in the shape of an egg. Sat beside the latter, I heard a single note that seemed a part of it. I call it the Singing Stone. And its song was of a deep and ageless place where all endeavour is reconciled. Once raised, much later, the standing stone could be seen clearly. The shallow surface ripples formed a face, indiscernible at close quarters. An expression that blends the bleakness of the Easter Island statues with the calmness of certain Buddhas. And a few days later on a train to Perth, surrounded by Scottish boy cubs with packets of crisps, a voice began to speak to me.”

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