‘ISIL: Devil-dolls of the CIA’

Kevin Barrett

Did you know that the CIA manufactures terrorist devil-dolls? According to the Washington Post, CIA operatives have admitted that they fabricated Osama Bin Laden devil-dolls as part of a psychological warfare operation against Pakistan. The dolls looked like Bin Laden – at first. But Bin Laden’s face was painted with heat-dissolving material designed to peel off and reveal the face of the devil.

Terrorizing Pakistani children with Osama Bin Laden devil dolls – it’s all in a day’s work for the CIA.

But wait a minute – wasn’t Osama Bin Laden himself a sort of CIA devil-doll? Bin Laden’s career as a self-professed jihadi began when he was recruited by the CIA and its Saudi proxies to fight against the Soviet occupiers in Afghanistan. Under the code name “Tim Osman” he toured US military bases and received insurgency training from the CIA.

Later, during the 1990s, Osama Bin Laden was manipulated by the CIA (or its Zionist faction) into becoming a plausible patsy for the coming wave of false-flag terrorism designed to ignite a clash of civilizations. As the Muslim world listened to Bin Laden’s eloquent litany of grievances against the West, it was shown a handsome, bearded face with large, soulful eyes. The Western world, however, was shown a demonic caricature – a devil doll created for propaganda purposes.

On September 11, 2001, when the World Trade Center skyscrapers were blown up in explosive controlled demolitions, many observers claimed to see a bearded, demonic face in the pyroclastic smoke and dust clouds billowing from the exploding buildings. According to the ensuing wave of propaganda from the Zionist-dominated corporate media, the face of the devil behind the murder of 3,000 people on 9/11 was Osama Bin Laden.


The Metropolitan Opera’s censorship of The Death of Klinghoffer

David Walsh

Mavi Marmara Massacre Whitewash Redux
UN Report on Mavi Marmara Massacre

The decision by New York City’s Metropolitan Opera to cancel its plans for worldwide high-definition video transmission and radio broadcast of John Adams’ The Death of Klinghoffer is a scandalous and cowardly capitulation to right-wing forces, with far-reaching implications.

Adams’ opera, with a libretto by Alice Goodman, recounts the October 1985 hijacking of the Achille Lauro cruise ship by four members of the Palestine Liberation Front, during which the terrorists killed 69-year-old Leon Klinghoffer, confined to a wheelchair, and threw his body overboard.

The claim that the work is “anti-Jewish” (per the cover of Rupert Murdoch’s gutter New York Post on June 18) is libelous and absurd. It can only be credited by those who have neither seen the opera nor read the text of its libretto—or who have an ideological axe to grind. The musical piece, which opens with choruses of “Exiled Palestinians” and “Exiled Jews,” respectively, is a poetic, somber effort to come to terms with the historical tragedy of the Palestinian-Israeli conflict. The only anti-Semitic lines (often cited by opponents of the opera) are given to a character nicknamed “Rambo,” an obvious sadist and thug.

The opera’s real crime is to give a voice to the Palestinian people and identify their oppression. The “Chorus of Exiled Palestinians” begins, “My father’s house was razed/In nineteen forty-eight/When the Israelis passed/Over our street.” Any reference to the historical reality of the expulsion of hundreds of thousands of Palestinians is intolerable to the pro-Zionist elements. Munich, the 2005 film written by Tony Kushner and directed by Steven Spielberg, was subject to a similar smear campaign.


A Fourth Reich is already under Construction in Ukraine

Olga Chetverikova

The main war being waged against Russia today is a psychological one that uses disinformation to shape not only the political convictions, but also the entire world view of a nation. Experts call this a «war of consciousness» that targets a certain way of seeing the world.

When PACE adopted a resolution a few years ago that assigned equal levels of guilt to the USSR and Nazi Germany for their roles in unleashing WWII, it became clear that the West was preparing to rehabilitate Nazism. When and if that finally happens, criticizing Nazism will become a criminal act, and the statement «Hitler was Stalinism’s biggest victim» will be one of the provisions of that new ideology.

Events in Ukraine provide clear evidence that the first phase in the rehabilitation of Nazism set in motion by the West is now complete… The Ukrainian phenomenon is unique in the fact that here the new Nazism surfaced as a monumental chimera unifying the Nazis, Zionists, liberals, occultists, ecumenists, papists, and Protestants. They march under many different masks and ideological banners, but in essence they are the same. Regardless of their formal affiliation to a particular faith, party, or sect, they all have the same vision for a future world order and for the methods needed to build it. And they have the same religion: a religion of absolute power that relies on a system in which each has his preordained spot and scrap of property (of course some get the fat while others get the lean).


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